With an ever increasing focus upon continued professional development, at a time when institutional budgets are only getting tighter, Tru Vue has recognised the need for educational support within the arts and heritage world. On Thursday 11th June, Tru Vue arranged renowned speakers and, together with John Jones, hosted an evening reception and panel discussion to explore current thoughts and techniques surrounding the idea of sealed packages.
As a conservator, the aim is to preserve an artefact and its associated values with as little intervention as possible. One conceivable way of achieving this is to limit the potential for change to occur by sealing the artefact within its own environment. Depending upon the type of package created, it can be possible to exclude pollutants, pests, ultraviolet radiation, and to buffer against changes in temperature and relative humidity.
Sealed packages might be a conservation solution, but they affect anyone involved with the preservation and presentation of an artwork or heritage item. This includes not only the conservator, but the curator, framer, exhibition designer, art advisor, owner, and, if still living, the artist themselves. For this event Tru Vue wanted to reach as many of these people as possible. To also give them a chance to meet and get to know one another, the evening kicked off with a cocktail reception and the opportunity to tour the John Jones conservation studio.
The panel discussion portion of the evening began with Hugh Phibbs, preservation consultant and previous Coordinator of Preservation Services at the National Gallery of Art in Washington DC. Hugh presented his recently developed methods for creating an easy to make, but highly effective, sealed package for artworks. By introducing new materials and simply modified equipment, Hugh demonstrated a sealed package that can be created quickly by anyone – even those with very tight budgets!
Matthew Jones, Chairman of John Jones, then provided an interesting summary of the history of the company. For those needing to contract for framing services, Matthew’s presentation highlighted what you should look for in a framer, particularly with their use and experience of conservation grade materials. Craig Horsfall, Head of Conservation at John Jones, emphasised the importance of conservation knowledge for a framer and provided examples of how his team has created different types of sealed packages for artworks depending upon their exhibition location.
Stuart Welch, Founder and Development Director at Conservation by Design, concluded the evening’s talks by presenting a new framing concept Ð the Enigmaª frame. Originally developed for a papyrus collection, this frame package can be stored in Planorama¨ drawers and not only offers a sealed (low oxygen) environment but also a secure system for handling.
The evening wrapped up with a time for questions and more time to socialise. Attendees came from all over the UK and people from all over the world tuned in to the web cast as the talks were broadcast live.
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Video of the live event is available for viewing below.
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This article is intended for educational purposes only and does not replace independent professional judgment. Statements of fact and opinions expressed are those of the author(s) individually and, unless expressly stated to the contrary, are not the opinion or position of Tru Vue or its employees. Tru Vue does not endorse or approve, and assumes no responsibility for, the content, accuracy or completeness of the information presented.