arrow-down arrow-left-block arrow-left-thin arrow-left arrow-right-block arrow-right-thin arrow-right arrow-up cart checkmark close cloud-download download facebook frame globe icon-all-products linkedin location-pin logo-mark museum-dark museum pdf play-button printer screen search speach-bubble tru-vue-pin twitter instagram youtube

Framing in the Round Requires a Custom Approach on Every Level

By Maureen O'Connor, Tru Vue® Marketing Manager

 

When an Oliver Brothers customer brought in an antique map of battles and invasions in England and Ireland from the Norman Conquest (1066) to the Spanish Armada (1588), award-winning conservation framer, Mira Bishop, knew the project would require an extremely custom approach in order to make both sides of the nearly 400-year-old document visible.

 

 

Though Mira previously has framed “in the round,” she created a specific design for every little detail for this 17th-century map. The frame by Goldleaf Framemakers of Santa Fe is gilded on both sides, which added time to the project due to the need to complete one side before moving to the next. The mats on each side are hand wrapped with silk fabric, and the bevels are also gilded. The gold tone of the gilding complements the rich colors that have survived the test of time.

 

 

For display and protection, the entire piece is glazed with Tru Vue® Optium Museum Acrylic®. Mira chose it not only for its degree of protection but also because its reflection-free surface allows maximum enjoyment of the colors and fine detail. Also being an acrylic glazing Optium is lightweight helping to reduce the weight of the overall piece.

 

 

“Right away, I recommended Optium Museum Acrylic because it provides 99% UV protection, is shatterproof, and offers unparalleled clarity,” said Mira. “It really is the highest-quality glazing available and was the best choice for a piece like this.”

 

 

Even with glazing on both sides of the piece, one of the obvious challenges of framing in the round is display. Without a back side to install hardware, plus the desire to show both sides of the piece without having to handle it, options are limited. Mira worked with Goldleaf Framemakers to create a base for the frame to allow for the dual-sided display.

 

Back of the Frame

 

Because of the weight of the piece, the base needed to be quite heavy and sturdy. There are two bolts through the base and into the frame to keep the frame solidly in place.

 

 

“The project could be called ‘beyond custom,’ due to how complicated it was to make this piece truly special,” said Mira. “Yet, the hard work was very much worth it, and we were so excited to show the customer how well it turned out.”

 

 

Mira will be showing detailed photos of the frame as well as the assembly process during her presentation, “A Guide to Great Design,” at FRAMECON 2019. FRAMECON 2019 is organized by the New England Professional Picture Framers Association (NEPPFA) and takes place June 9-10, in Worcester, MA. Tru Vue is a sponsor of the NEPPFA. Click here for more details.

This article is intended for educational purposes only and does not replace independent professional judgment. Statements of fact and opinions expressed are those of the author(s) individually and, unless expressly stated to the contrary, are not the opinion or position of Tru Vue or its employees. Tru Vue does not endorse or approve, and assumes no responsibility for, the content, accuracy or completeness of the information presented.

About the Author(s):