The Potential Use of Magnetic Cleaning Devices for Glass and Acrylic Display Cases This article was first published in AIC News, Vol. 46(2), March 2021, pp. 34-36. It is reprinted here with...
Testing the Strength of Tru Vue® UltraVue® Laminated Glass At some point in time everyone one of us is going to experience glass breakage and the first question...
Interactions between Museum Lighting and Optically Coated Glazing Tru Vue contributed to the knowledge wealth presented at the Museum Lighting Conference in London, 11-13 September 2017, with...
Super-size your Optium Museum Acrylic® Reprinted with permission from SmallCorp SmallCorp has developed a proprietary method for bonding Tru Vue® 6mm Optium Museum...
Tips for Choosing Glazing for Fine Art This informational sheet provides a reference chart for choosing glazing for Fine Art.
No Visible Ripples or “Orange Peel” Museum Glass® and Conservation Clear® will feature a smoother surface, free of distortion, with no ripples, as a result...
Museum Glass®: Behind the Scenes of the Product Enhancement What goes into making the most significant improvement in glazing? You know that Museum Glass® offers high levels...
Glass or Acrylic? Considerations for Framed Artwork Glazing materials, like glass and acrylic sheets, are clear, flat and thin. Beyond these similarities, they differ in most...
Understanding Anti-Static Acrylic Anti-static sputter-coated acrylic protects and displays fragile artwork. The static charge of many conventional glazing products may be enough...