Museum Glass®

When it comes to custom framing, this glass is the gold standard of picture framing glass with its amazing clarity, uncompromised protection, and easy-to-clean, durable surface.  And now, with the addition of Water White Museum Glass®, preservation framers truly have anti-reflective glazing solutions for every need.

Product Details

Features

  • Virtually eliminates reflections
  • Blocks up to 99% of UV rays
  • Optimal light transmission brighten colors
  • Enhanced surface for better durability and easy cleaning
  • No ripple or “orange peel” effect on glass surface
  • Proprietary coatings are engineered for permanence
  • Premium 2.5mm thickness provides better strength and rigidity
Museum Glass

Applications

  • Custom framing limited edition prints, original works of art, posters, shadowboxes for objects including keepsakes or souvenirs
  • Protecting items of sentimental or monetary value
  • Shadowboxes displaying objects, like family heirlooms or personal mementos
  • Highly detailed and colorful works of art
Museum Glass Application

Testing & Certifications

  • Passes Photographic Activity Test (PAT) ISO 18916
  • Meets ISO 18902
  • Passes RoHS Compliance ASTM B117-03
  • Conservation Grade Protection
  • ISO 18902 Photo Safe
Testing

Technical Info

  • Substrate: Clear Float Glass or Low Iron (Water White) Glass
  • Coating: Single-Sided UV and Double-Sided Anti-Reflective
  • Thickness: 2.5mm / .098″
  • Maximum Size:
    • Clear Float: 48″x68″ / 1220mm x 1725mm
    • Water White: 32” x 40” / 810mm x 1015mm
  • Reflection: <1% (double-sided)
  • Transmission: >97% (total)
  • UV Block: up to 99% of 300nm to 380nm UV rays
Technical Info

Resources

Museum Glass Sell Sheet

Water White Museum Glass Sell Sheet

English

With over 50 years of proven protection and preservation, Tru Vue fine art acrylic and glass solutions are trusted by conservation and fine art professionals to protect and display the most celebrated works of art in the world.

If you’re looking for this document in different languages, you can download them below.

Custom Framing Product Portfolio

English

If you’re looking for this document in different languages, you can download them below.

Museum Glass FAQs

Is all UV filtering glazing the same?

No. There is a distinct difference between UV filtering glazing and glazing that provides UV protection.  According to PPFA Guidelines for Framing Works of Art on Paper, for glazing to be labeled as providing UV protection, it must block at least 97% of the UV rays in the 300 to 380 nanometer range.

Tru Vue Conservation Grade glass and acrylic products offer this level of protection.  In providing at least 97% UV protection, Tru Vue Conservation Grade products are considered “photo-safe” by meeting ISO 18902 and passing ISO 18916.

Yes. Tru Vue manufactures its Conservation Grade glass products by applying an inorganic silica-based UV inhibiting coating to the glass surface. The UV coating is “baked” into the glass, producing a permanently bonded coating. Tru Vue Conservation Grade glass products have been field tested for over 20 years and do not delaminate or degrade over time.

Specific to acrylic products, Tru Vue does not apply a UV coating to its Conservation Grade acrylic products.  The UV protection is provided within the acrylic substrate and is permanent.

The inkjet printing or static cling sticker will indicate which side to score.  The side to be scored is the non UV coated side, so the UV coating is on the opposite side.  For Museum Glass and Conservation Clear the UV coated side is always the side with the inkjet printing or static cling sticker.  For Conservation Reflection Control the UV coating is on the opposite side of the inkjet printing.

The UV coated side will also bead water or glass cleaner more than the non UV side. Using a razor blade you can apply a small light scratch on the edge of the glass which will be hidden by the rabbet of the frame. The UV coating will be scratched, the glass will not. Wear gloves while doing this to prevent cuts.

For Conservation Grade acrylic, either side can face the artwork—both sides provide the same protective technology. For Conservation Grade glass, it’s recommended that the UV-coated side face the artwork; this side is usually marked with inkjet printing along the edge. However, protection is not compromised if reversed. If using Reflection Control or Conservation Reflection Control glass or acrylic, the matte side should face outward, and the non-matte side should face the artwork.

Care & Handling

Find out everything you need to know about Care & Handling for this product here.

Get Inspired

Discover how our advanced glazing technology protects and enhances artwork. Explore real-world case studies from around the world showcasing clarity, durability, and UV protection.

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